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・ Philip Chen Nan-lok
・ Philip Cheng
・ Philip Chetwinde
・ Philip Chetwode, 1st Baron Chetwode
・ Philip Chevron
・ Philip Child
・ Philip Childs Keenan
・ Philip Choy
・ Philip Christison
・ Philip Christman House
・ Philip Christoph von Königsmarck
・ Philip Christophers
・ Philip Chute
・ Philip Ciaccio
・ Philip Claeys
Philip Clairmont
・ Philip Clark (cricketer)
・ Philip Clark (rugby union)
・ Philip Clarke
・ Philip Clarke (businessman)
・ Philip Clarke (politician)
・ Philip Clarke (Royal Navy officer)
・ Philip Claypool
・ Philip Clayton (theologian)
・ Philip Clemo
・ Philip Clifford
・ Philip Clissett
・ Philip Cochran
・ Philip Cogan
・ Philip Coggan


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Philip Clairmont : ウィキペディア英語版
Philip Clairmont

Philip Anthony Clairmont (1949–1984) was a New Zealand painter.
==Biography==
Clairmont was born in Nelson in 1949 and attended Nelson College from 1963 to 1966.〔''Nelson College Old Boys' Register, 1856–2006'', 6th edition〕 He studied in Christchurch under Rudolf Gopas, graduating from the Canterbury School of Fine Arts in 1970. In 1973 he received a Queen Elizabeth II Arts Council grant, and by 1977 he was painting full-time in his new home city of Auckland. Clairmont's work was informed by the works of Vincent van Gogh and Francis Bacon, and was also influenced by his close relationship with fellow artists Tony Fomison and Allen Maddox.〔Keith, H. (2007) ''The big picture: A history of New Zealand art from 1642.'' Auckland: Godwit.〕
Clairmont's work is usually classed as expressionist or neo-expressionism, using strong colours and distorted forms, often with domestic interiors as subject matter. His early work tends to be focussed and detailed. During his final decade his work has a tendency to be looser and less intense.
Clairmont epitomised the stereotypical bohemian artist lifestyle, feeling that this form of life was necessary for him to regard himself as an authentic artist. Clairmont committed suicide in Auckland in 1984, at the age of 34.
A biography of Clairmont by Martin Edmond, ''The resurrection of Philip Clairmont'' (Auckland University Press, 1999), was a finalist in the 2000 Montana New Zealand Book Awards.

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